Welcome to Mic'd Up! This new column was born out of my obsession with wrestling promos and a long conversation in the Smark Henry Discord chat in which I dissected this column's first-ever subject. My goal here is to share my observations in a wrestler's character and mic work, two fundamental aspects that could dictate whether a gimmick succeeds or fails. I don't plan to keep pointing at my own work and assert that it makes me an expert on the matter. Far from it. But after years and years of watching wrestlers get on the mic and flesh out their characters, you will learn a thing or two about how they tell their stories using the art of the promo. This is Mic'd Up.
Since turning heel upon his return at SummerSlam, Roman Reigns has become the most compelling character on WWE TV. He came back with a full beard—something we'd seen over the years—and a more noticeable change in his look: he had his tooth gap fixed. Gone was the vest and in its place, a black T-shirt that read "WRECK EVERYONE & LEAVE." It reminded me of this classic Stone Cold Steve Austin t-shirt from the mid-2000s. The difference here is that Roman didn't come back as an antihero. He came back as a heel.
It's interesting that for his first few appearances post-return, all Roman wore was the "WRECK EVERYONE & LEAVE" shirt. With the reveal that he had now become a Paul Heyman guy, his shirt was basically a spoiler for what he set out to do those first few weeks: let someone else do the work, then pick up the scraps and the win at the right moment. It wasn't a prediction. It was a spoiler.
It was also really dickish and it cemented his status as the new top heel on SmackDown.
Roman Reigns has been a fixture on WWE TV for the last eight years. Writing that felt weird because it feels like Roman has been around forever, but it also doesn't... until you realize that when he debuted on the main roster alongside Seth Rollins and Jon Moxley, fka Dean Ambrose, CM Punk was still the WWE Champion. And that feels like an entire lifetime ago.
Through these last eight years, Roman has had three distinct characters: Shield Roman, Main Event Roman, and Tribal Chief Roman. The first two versions are intrinsically linked because the rise of Main Event Roman was a direct result of the breakup of The Shield. Aesthetically, he was the same guy. He just traded in the plain black padded vest for a padded vest with his huge, hideous logo right in the middle. Tribal Chief Roman is remarkably different. This is a dude who will fight topless, showing you his chiseled physique in all its glory.
With regard to their entrances, Shield Roman entered the arena the same way as a face or as a heel. While he walked to the ring with a purpose, the stoic look on his face also left very little room for emotion. As soon as he got onto the ring, he'd roar and raise his arms up in the air, much like the way he used to do as a babyface singles star.
Main Event Roman was a completely different animal. This dude learned to be more expressive. The moment he stepped out of the curtain, he'd interact with fans already by loosening up and yelling at them, seemingly returning the love they showered at him... or the vitriolic hate if they booed him just because. He'd throw up the "hang loose" gesture, take a few moments to settle down at the center of the stage, cock his fist, and then punch down on the stage for either pyro or tron graphics to be displayed.
Contrast that with Tribal Chief Roman.
This version of Roman Reigns walks in slowly, confidently, chest sticking out, chin raised up, as if he sees everyone else as beneath him. His face doesn't have the same lack of emotion as Shield Roman did. The Tribal Chief's face is subdued, yes. But his expression tells a story of smugness and condescension. This is a guy who knows he is your Tribal Chief.
Compare and contrast the camera angles between the examples above.
Main Event Roman is shot at a level angle, with the camera making you look directly at him as if he is on your level. Tribal Chief Roman is shot from a low angle, to make him look more intimidating and imposing, the same way giants like Big Show, Braun Strowman, and Kane are shot during their entrances. While Roman is not necessarily a giant, he is by no means a small man. But you can see what they're going for here: intimidation via superiority. We, as audience members, are but lowly tribesmen, and Roman Reigns is our Chief.
Gone are the high-energy movements and arm raising. He doesn't "hang loose" anymore. The Tribal Chief will get in the ring when he wants to get in the ring and he'll take his damn time if he wants to.
I haven't even gotten to the actual mic work yet, but you can already see how much Roman Reigns has deviated from the first two versions of his character now that he's the top heel on the Blue Brand. What he's doing is right out of the classic heel playbook: take away from the babyface—or in this case, take away what the fans used to like about you as the babyface.
It's like how Chris Jericho did a 180 when he turned into the Anton Chigurh version of his character in 2008. He cut his hair, started wearing suits, walked and talked slowly, enunciated in an exaggerated manner and used big words, and took the energy right out of his promos. It's night and day compared to his Y2J/Ayatollah of Rock and Rolla persona.
These little details matter because a heel's job is to make everybody hate him, even his diehard fans. Casuals can hate a heel because he's being a heel or doing heelish things. But when you take away the stuff about your gimmick that your diehard fans love, then you alienate them and make them want to hate you, too. That's exactly what Roman Reigns has been doing since returning to television.
The changes in Roman's character start with his alignment with Paul Heyman, once the advocate of Reigns's biggest rival, Brock Lesnar. What's interesting is Heyman said that he was corrupted by Roman, and not the other way around, because of how Roman (in kayfabe) brought him back to WWE after Lesnar had left. A subtle detail here is how in his first couple of promos since returning and subsequently winning the Universal Championship, Roman lets Heyman do the talking when Roman is a capable guy on the mic himself. I don't need to address you. I'll let my Special Counsel do that for me.
He doesn't even speak until the last minute of this segment.
Before he finally does speak, Roman Reigns looks at the mic, as if pondering every word he's about to say to make sure each one counts. He's deliberate in his cadence and vocabulary.
He starts off in a matter-of-fact way, telling you that he did what he said he was going to do. And then, he brings up the intensity for a quick moment, when he asserts that SmackDown is "[his] island." After that, he brings it back down once again and reverts back to a smug, cocky champion, who believes exactly what he said.
That's a far cry from the guy who once cut the infamous "Sufferin' Succotash" promo.
As Roman developed to talk like a singles star, he relied on many familiar beats that most wrestlers default to when they cut promos.
- Emphasizing words like, "right here, right now in (insert city here)!"
- Stressing phrases like, "MY title!"
- Starting a verbal takedown talking quickly, building up the intensity by raising one's tone of voice, and then punctuating by yelling the most brutal part of the verbal barb.
paul is all of us pic.twitter.com/kJNC2oUrfK
— devany (@luvvbecks) September 28, 2020